Tuesday, August 31, 2010

Beginning again, for the last time.

It's a strange thing to be starting a year knowing it's really the end. Wow, it made me sad to type that! At the same time, I really do feel like I'm just beginning here. Things have changed since I was abroad and now the freshmen know some parts of the system better than I do. Of course, I can tell that I'm a senior because I have this fab room:



With this fab view:


This room pleases me - a lot. You can't really tell from the pictures, but it is enormous. I haven't hung up all my pictures yet but it is already the best room ever.


There are only a few small issues with the room, which I plan to fix. First of all, I plan to replace the desk chair with one from home, as the one the school provided looks like they picked it up from a yard sale selling things from an elementary school art classroom (and knowing our school's budget, they probably did).

Secondly, two of the drawers on both the desk and the dresser are painted blue, for some reason. This seems strange to me and I will probably cover them with some nice wrapping paper or something. Lastly, the inside of my medicine cabinet looks like a set from a horror movie. It's completely rusted with bizarre scrapes running through the rust. I'm not sure how to address this other than running away in terror, but we shall see.

Of course, even with these issues I am still the luckiest dorm-owner ever and plan to spend countless hours in here, feeling lucky, reading, writing, and ... sigh ... studying for the GREs.

In other news, look at this crazy spider that was hanging out near the arts building:


I think back-to-school is my favorite time of year. Once the weather cools down, the trees turn colors, and classes start again, it's just perfection. I'm going to miss it when I'm not a student anymore. It's a good thing that that won't be for another four-to-a-million years.

Sunday, August 29, 2010

Radical Invention.

"In the time between Henri Matisse's return from Morocco in 1913 and his departure for Nice in 1917, the artist produced some of the most demanding, experimental, and enigmatic works of his career ... Works from this period have typically been treated as unrelated to one another, as an aberration within the artist's development, or as a response to Cubism or World War I. Matisse: Radical Invention, 1913–1917 moves beyond the surface of these paintings to examine their physical production and the essential context of Matisse's studio practice. Through this shift of focus, the exhibition reveals deep connections among these works and demonstrates their critical role in the artist's development at this time."

From the exhibit "Matisse: Radical Invention, 1913-1917," at the MoMA from July 18-October 11.











1. Henri Matisse painting Bathers by a River, May 13, 1913. Photo by Alvin Langdon Coburn; 2. Josette Gris, Three-Quarters View, 1915; 3. Bathers by a River, 1909-10, 1913, 1916-7; 4. Bathers with a Turtle, 1907-8; 5. Still Life with Lemons, 1914; 6. Woman on a High Stool, 1914; 7. The Blue Window, 1913; 8. Standing Nude, Arms Folded, 1915; 9. Gourds, 1915-6

Friday, August 27, 2010

Frida's mirror.

Today I went to the MoMA to meet a friend for lunch and saw the Matisse exhibit called Radical Invention: 1913-1917. The exhibit was fabulous - it's amazing what a journey the curator was able to map out over the course of just four years of Matisse's life - but more on that later. I had a camera that could only take four pictures; the Matisse exhibit didn't allow photography, so I took these.





1. Frida Kahlo, Self-portrait with cropped hair, 1940; 2. Diego Rivera, Flower Festival: Feast of Santa Anita, 1931; 3. Frida Kahlo, Fulang-Chang and I, 1937; 4. Frida Kahlo, Fulang-Chang and I, 1937 - the mirror that was added to this piece in 1938. You can read more about it here.

Thursday, August 26, 2010

Places I'd like to live.

I've been thinking about how I want to decorate my dorm room this year, and dragged up these old pictures I've collected off the internet over the years. I don't think my dorm will be nearly as nice as any of them (no claw foot tubs!), but I can dream.










J. Crew Autumn 2010.

I hate to say it, but the September J. Crew catalogue was ... not really my thing. I mean, it looks great, but compared to J. Crew's catalogues of old, it's just not my style. J. Crew has been leaning toward high fashion for a while now, and while that's awesome and all, it's not really the reason why I'm drawn to J. Crew. I like their simpler, more classic looks - such as those below. But hey, if getting more fashion-y is helping J. Crew attract attention and increase sales, that's great for them. I'm sure they're aware that a large proportion of their customers still look to J. Crew for the basics and will continue providing them.


Marled shawl-collar cardigan


Flannel getaway tunic


Arrow sweater-jacket


Softspun cowlneck dress


Camp socks


Camden two-tone brogues

Sunday, August 22, 2010

Book Review: Good Wives and Digging Up the Dead

I have an aversion toward writing book reviews. I think it comes from middle school, when we were taught how to write them according to a template and always had to fulfill certain requirements that the teacher would check off. Accordingly I don't tend to write book reviews of my own free will, but I've read a couple of pretty good books lately that I feel obligated to share. In order to do this, I need to preface anything I write with the disclaimer that these are not book reviews. They're not meant to follow any middle school guidelines and they're not meant to be good reads in themselves, like the ones in the NYT Review of Books.

Phew. Now that I have that out of the way, maybe I can actually do this.


Good Wives: Image and Reality in the Lives of Women in Northern New England, 1650-1750
Laurel Thatcher Ulrich
New York: Vintage Books, 1980
ISBN 978-0394519401

Good Wives by Laurel Thatcher Ulrich was my most recent read and I really enjoyed it. (There. I've already flouted my middle school indoctrination, because we were never allowed to say "I enjoyed it" or "This was a good book." It was just too easy, I guess.) It discusses the role - or rather, varied and unexpected roles - of women during the 17th- and 18th-century New England. It's a good companion to the Pulitzer-winning A Midwife's Tale, also by Ulrich (not that the publishers would ever let you forget that), which investigated many of the same questions through the perspective of one woman's life and work.

Rather than focusing on one woman, however, Ulrich fills out her picture of colonial New England life with a complex composed of many different women of different backgrounds. This is not only interesting but necessary, due to the fact that for most women of this time only scraps of evidence remain to attest to the people they were. Ulrich stitches those scraps together to create a likeness of the colonial New England woman as she appeared in both ideal and flesh-and-blood form.

What struck me most while reading Good Wives, and in fact while reading A Midwife's Tale as well, is just how frequently I was surprised by the things I learned. It seems that New England women's history is remarkable not simply because it reveals what we didn't know, but because it reveals that what we thought we knew is wrong. Most people think they have at least a general idea of how colonial women behaved and thought; I know I did. The chasm between our perceptions and what is suggested by Ulrich's research is staggering. Such a chasm doesn't exist for the history of colonial men during this period. The disjointed and misleading perception of colonial women we have today is a direct result of the disjointed and misleading evidence of their lives that now exists. Ulrich describes how such evidence (and lack thereof) has served both to hide and distort our view of these women. At the same time, she makes an effective attempt to resurrect what she can from the scattered and scant remains.


Digging Up the Dead: A History of Notable American Reburials
Michael Kammen
Chicago: University of Chicago Press, 2010
ISBN 978-0226423296

This is a good book that I felt could have been about three times longer. Its strength lies in Michael Kammen's lively narration of the sad, bizarre, and sometimes downright hilarious journeys that certain corpses have taken throughout American history before reaching their final resting places. Kammen also provides an analysis of the anecdotes he describes, attempting to piece them together in such a way that the final picture reflects back on the culture and society from which they sprung. My problem is not with the analysis itself, but with the amount of it. I suppose I wanted a more thorough investigation of all the different currents of American history that the reburial stories tap into: the transformation of the meaning and position of death over time; the effects of changing patterns of mortality on the perception of death over time; the European (and non-European?) roots of American mortuary practices and their symbolic and practical implications, etc.

I suppose what I really wanted was a different book altogether. For what it sets out to accomplish, Digging Up the Dead is successful, but it also made many hints at the additional directions that it could have taken. Kammen writes, for instance, that before the 19th century a large portion of Americans were not buried with tombstones. Why? Does this have to do with changing views on individuality, on personal immortality? I am interested by the process by which something that is considered non-essential becomes something that almost all people think they need.

Interestingly enough, a lot of the questions I found myself asking throughout this book are answered in the Penn & Teller: Bullshit! episode "Death, Inc.," which you can watch here. Penn and Teller: out-scholaring Cornell scholars since 1975.

Saturday, August 21, 2010

Dreaming of fall.

I am looking forward to:









Sources: 1. Quaint Living; 2. Page from Fair Isle Knitting; 3. ?; 4. St. Moriel; 5. Postscript love; 6. ?; 7. Wiksten-Made; 8. Toast.

Friday, August 20, 2010

Soho.

Three of my friends and I went to the city yesterday expecting to go to Brooklyn, but we didn't quite make it. We got a bit distracted by the awesome that is Soho and ended up staying there all day. Brooklyn will have to wait until next time.











1. Graffiti in the hallway outside Kiosk; 2. Artwork in Kate Spade; 3. Best quiche of my life; 4. Wonderful windows; 5. Colorful buildings; 6. Unicorn tapestry coffee table at an antique store; 7. Old advertisement on the side of a building; 8. MINI CUPCAKES!; 9. More sigh-inducing real estate; 10. Harlem from the train.