Monday, March 30, 2009

Queue.

Currently in my Ravelry queue:


Owls by Katie Davies.


Ristinolla -säärystimet (whatever that means, they're legwarmers) by Hanna-Kaisa Hämäläinen.


Garter yoke cardigan by Melissa LaBarre. The yarn for this just came last week. Mine is going to be brown.

Chevalier mittens by Mari Muinonen.


Selbu modern by Kate Gagnon; this particular hat was made by nevernotknitting.


Welsh country stockings by Nancy Bush.


Paper dolls by Kate Davies.

Miss Tetocat.

Some days I just don't think I can take the silliness. But I do.



Done!

My Reykjavik mittens are complete. This warranted a photo shoot with Miss Tetocat.




I really like her expression in the first picture.

Saturday, March 28, 2009

Randolph Peter Marshall


Last night I dreamt that I was this guy called Randolph Peter Marshall, who was born in the early 1900s and did all this dumb shit. As the dream went on, it became evident that I wasn't RPM himself, but an artist who was recreating his life through pictures and words. I made this huge, involved presentation on his life that took place across the entire Scottish countryside and involved numerous trippy re-enactments. It was fucking weird. My dreams often involve concepts that don't really make sense once I wake up, despite seeming perfectly natural in the dream.

Another part of the dream took part after the presentation. I was so tired that I couldn't even move; I just laid on the ground while my friend Katie S. sat next to me and looked at all of the pieces of the presentation that I had collected in a folder. There were a lot of paintings and drawings and stuff, and they were really awesome. After a while it became evident that we were at camp and were both twelve years old again.

Which is interesting, because that makes last night's dream the most recent of at least half a dozen dreams I've had since getting into Oxford* in which I am twelve or thirteen years old. The frack? I only have half of an idea as to why that's going on. First of all, my twelve-year-old self was into Paganism. It all began with an interest with the Salem witch trials in fifth grade, then an interest in actual witches and magic in sixth grade. Over seventh and eighth grade, I immersed myself in Paganism. My friends, specifically Cedilla and Katie S., and I celebrated all of the most prominent Pagan (Celtic) holidays: Yule (the Winter Solstice), Imbolc, Ostara (the Spring Equinox), Beltane (May Day), Litha (the Summer Solstice), Lammas, Mabon (the Autumn Equinox), and Samhain (Halloween). I can't tell you how disappointed my twelve-year-old self would be to know that her nineteen-year-old self just had to look that up.

We also did spells, and had a New Age store in my basement. I read a hundred books on everything Pagan and dreamed of going to Stonehenge - literally. Now that I'm actually going to England, I'm having dreams of being that person who would have loved to be there so much. Of course, I'm expecting to love it, too, but in a different way than my twelve-year-old self would.

Another thing, which is maybe important. Just before I woke up this morning, I was narrating my dream. That's not uncommon; I think it's a writer thing. In any case, I said/wrote something like, "I'm twelve years old again, at least for now. At any moment I might be something else. I might be Randolph Peter Marshall, who will exist because I make him be." After I woke up, this was normal dream-nonsense, but now I'm thinking about it, and how I made RPM exist through pictures and words in the dream. I thought about what I was doing before I went to sleep, which was searching for old writing on my computer. It turns out that I don't have any of my old (pre-high school) writing on my laptop, which disappointed me. Add that to the fact that there are very few pictures of me in middle school (I wasn't fond of being photographed), and I start to wonder if the ghost of my twelve-year-old self, or my twelve-year-old doppelganger, or whatever, is struggling to exist without any words or pictures to make her be in the way that RPM can exist (despite the fact that he is not an actual person). She too is not an actual person anymore, but maybe she could be again, in some small way. I haven't thought of her much in the past six years, so maybe the reason why she's suddenly on my radar now is that she wants to go to England.

Of course, this is all weird shit that only makes any sort of sense in the dream world, but that's where I live, one third of the time, anyway. And it interests me because there are a lot of features of my younger self that I would like to rediscover. I'm at the point where reading what I wrote at that age is almost like reading another person's work, albeit another person who thinks uncannily like me. Maybe I'll share some of it with you, if you want. Seriously, it's not as lame as most middle school writing, I think. Okay, some of it is, but I did have a weird mind and some of it is funny and interesting. Some of you may have read it before.

But to start ... here are the only pictures of my eleven-through-fourteen-year-old self I was able to find on my computer (above, and below).




And here's the only old writing I could find, which is only a bit. I was twelve or thirteen when I wrote it. The other stuff I wrote does exist, but it's just not on my computer. Here you go:

She felt her grandmother’s chalcedony, warm and living, in her pocket, as she slid waist deep into the sludge. Keep to the hills.

But there weren’t any hills. Only mud – as far as her squinting, bloodshot eyes could see. Only mud and rain and trees – lolling on forever … with not a single knoll interrupting the shivering black tides. Had she passed the hills that would lead her over the waters to the highlands? How had she passed them, overlooked them, ignored them, even through the driving rain and ice pecking at her back?

Then, a quiver. A tree’s branches trembled. Something broke the surface of the water far off, and sent a cascade of tiny tremors through the tides. Juno felt the waters stir all about her – felt the pulse of the waves as another severed the grimy surface, and another, and another. She spun, and her fingers tightened on the baby. A dark silhouette, hunched over before the tan blotch of a far-off tree, hooked an arrow into the string of an elegantly arched bow, and slunk closer. Its movements were echoed by each of the spectral ring that had strung itself so quietly about the girl and the baby motionless in the circle’s utmost core.

“Tenyas,” Juno breathed into the baby’s hair.

The tallest advanced, the nose of its golden arrow catching a slice of moonlight as its master veered it nimbly in the direction of the girl’s face. Another of the pack slung a gritty arm about Juno’s shoulder and swung her, as she writhed and slashed blindly at its fingers, onto its shoulder. It shook from her the muddy bundle, and taking up the baby in one clawlike hand, deposited it into the thrashing waters.



*Did I tell you that I'm going to Oxford next year? Because I am.

Friday, March 27, 2009

Sneak Peek.

Reykjavik mittens! I've only finished one so far. Here are crummy Photobooth pictures to prove it. The pattern is Reykjavik by Kirsten Kapur. You can buy it here.



These very well may turn out to be my favorite things that I've knitted. My dream now, of course, is to be able to wear them in the actual city of Reykjavik, Iceland. While skating. Or walking through snow. Or sitting in a cafe with hot chocolate. Whatever. Come on, Iceland, you know you want to send me some free plane tickets to come visit you. I have a fortune of at least $40 that I might spend in your businesses if I do. I know you need my money!

Thursday, March 26, 2009

Thursday Cat Blogging.

Miss Teto is a supermodel and she knows it.








Monday, March 23, 2009

Fair Isle.

Hey, I can Fair isle now! Lookit:


I accomplished the above over the course of watching 15 episodes of Bones. And to the millions of you who, upon hearing my David Boreanaz remarks, said, "Just watch Bones" (or maybe it was just Katie), okay, I get it. He is much more believable as the significantly-less-intelligent member of a two-person crime thingy than he was as ... whatever he was trying to do with Angel. And he seems to have lost all that - pregnancy bloat? - he was carrying around in the last few seasons of Angel. What the hell was that, Boreanaz?

Several things are bothering me about Bones, however. Including:

1. I am now certain that David Boreanaz's correct pronunciation of Latin in Buffy was a fluke, because he tries it again in Bones and fails horribly. Paaayyyy-turr, Boreanaz, really? Then Booth explains he was an altar boy. At what church, Boreanaz - Our Lady of ... Bad Latin Pronunciation?

2. People do not go ice-skating a few hours after getting a concussion, Bones Writing Team (BWT). Although maybe if they have a skull as thick as David Boreanaz's, they do. No, they certainly do not. BWT, I blame you for perpetuating the myth - that is inexplicably much-loved by the writers of TV shows and movies alike - that Head Injuries Are Really Not Serious, Okay (HIARNSO). I swear, absolutely everyone on TV or in movies gets up after having a concussion like it's No Big Thang. Don't believe me? Consider Giles of Buffy. With the number of concussions the man has had, I'd expect him to barely be able to string a sentence together by season 2. But no, he's all right, because of HIARNSO. Having a character be knocked unconscious is a truly beloved plot device, but HIARNSO is WRONG. I repeat: wrong. Jesus, do I need to start an organization about this or something?

3. On a lighter note, is it not truly delicious how many times David Boreanaz almost falls on his ass in this episode? Go to 21:20 and tell me that he was not pulling another one of these.

Um, this post has gotten severely sidetracked. Here are some pictures of Miss Teto playing with my knitting.



Friday, March 20, 2009

More cardigan pictures than you ever wanted to see.

Because I just love this effing thing.





And a close-up (excuse the mid-spring break disaster area that is my room):

Monday, March 16, 2009

Cardigan!

These are the less-crappy pictures of it that I took today. Apologies for my frowny mouth. I didn't think about the fact that my face would be in the pictures at all. Anyway, here they are:




Update: I took some more pictures using Photobooth. That gray lump in the background is my girl.

Sunday, March 15, 2009

Why do I always finish knitted projects at night?

It really makes for crappy pictures. I can't wait till the morning to take them, though, because ... what if the sweater evaporated overnight, leaving me with no evidence of its existence? Of course, I will take more pictures tomorrow when the light is decent and I'm wearing a shirt that goes better with the color, but for now this is what you get.

Like it? It's the Puffed Sleeve Feminine Cardigan by Stephanie Japel, from the book Fitted Knits. I ended up not doing any of the lace-y stuff at the bottom, mainly because by the time I got there I had already started the cardigan over three times and was really looking forward to finishing it. I'm happy with that decision, though. I like simple things, if you haven't figured it out already. I also lengthened it and put on nine buttons instead of eight. Also, I knitted using a tighter gauge in order to make it smaller. I wrote more about that on my Ravelry page, if you care to check it.





Now I am left alone with a horrible quandary. Should I wear the cardigan? ... Ever? I have a serious problem with wearing things I've knitted. I try to save them for special occasions, but occasions never seem special enough. You see, once you knit a sweater, it is the most beautiful sweater in the world simply because you knit it. Right now, it seems obscene that I should wear this cardigan, or that anyone should wear it. To me, it belongs in a fucking museum, or a gallery, or something. It's a work of art. I'm scared to wear it!

I'm hoping I'll get over that by the time I make 4-5 more cardigans. But who knows?

Saturday, March 14, 2009

On Second Thought.

Dear David Boreanaz,

On second thought, I retract the good feelings extended to you in my last letter. The reason has to do with two facts. The first is that you know the correct pronunciation of ancient Latin. The second is that you worked on a set with other people who didn't know how to pronounce Latin, and you never corrected them. What the hell were you doing all that time - brooding in the dark, snickering at your hapless fellow actors unknowingly butchering the Latin language, saying nothing, and eating a pretzel? Do you even like pretzels, David Boreanaz?

On third thought, I retract my second thought, because today I was watching the third season of Buffy on Hulu, and there's this scene where you ... well, Buffy's doing stuff, and you walk into the room she's in. In the process of walking into the room, you slam right into the freaking door frame. You say, "Ow," and kind of stumble, but in a kind of nonchalant way that makes me suspect that this is not the first time that the sheer breadth of your enormous, block-of-wood-like upper body has made it challenging to navigate difficult obstacles like doors. What happens next is even better, because you and SMG totally run with it and work it into the scene. Neither of you even cracks a smile, perhaps due to the large doses of Accutane the two of you had to ingest before each Angel/Buffy scene in order to achieve a level of emotional depression that is not usually attainable by acting skill alone, particularly if your acting skill is already limited by the fact that you are a block of wood. This explanation, which I came up with all by myself, also accounts for the unusual silky smoothness of both your and SMG's skin.

(For readers who may not be aware of the scene I'm talking about, and for David Boreanaz if he does not recall it, it occurs in this episode [Graduation Day, Part I] at 21:24.)

In any case, the whole thing amused me so much that I decided to forgive you for the great evil you committed in not correcting your fellow castmates' pronunciation, but not enough that I could keep myself from calling you a block of wood. You block of wood.

Fondly,

Madeline

P.S. Yes, this time I said "Fondly," because, you know, David Boreanaz, after all we've been through and against my better judgment, I've started to feel somewhat affectionate toward you and your intimidatingly thick brow ridge. At this point, if you showed up at my door, I just might let you come in and watch the entire series of Buffy with me so that I might point out absolutely each specific thing that bothers me about each individual scene you're in, individually and specifically, at once and at the same time. Also, I would let you give me money. That is something I am certainly willing to let you do.

Friday, March 13, 2009

An Open Letter.

Dear David Boreanaz,

In the past, I've been known to speak of you less than highly ... comparing you to a block of wood, for example, and comparing your face to a block of wood, and comparing your acting abilities to the acting abilities of ... a block of wood.

But then I was watching season 3 of Buffy on Hulu, and there was that scene, and you pronounced Latin correctly. And OH MY GOD, no one on TV pronounces Latin correctly. And I'm picky about the circumstances under which I will suspend my disbelief while watching Buffy. Will I believe that vampires exist? Yes. Will I believe that Buffy would date a block of wood? Yes. But will I believe that Willow, who has presumably taken Latin in school, would pronounce the "v" in a Latin word like a "v" in English? No.

So thank you, David Boreanaz, for being, like, the only freaking person on Buffy to ever pronounce Latin correctly. In appreciation of your efforts, I will refrain from making any comparisons between you and various blocks of wood and/or granite for the rest of the day. Tomorrow, I will likely call you a block of wood again. But not today. You're welcome.

-Madeline

Tuesday, March 10, 2009

Recent printmaking.

These first four are part of a set that may include more ... when I make them. Click to see larger.





First picture: My grandfather, Alan Bourque (1922-1979), and some other dudes in front of the Eiffel Tower during World War II. (I'm not positive which one is him or whether he is actually not in the picture but maybe took the picture ... it's hard to see their faces. My mother might know.)
Second picture: My grandfather in uniform, WWII.
Third picture: My great-grandfather and great-grandmother, Eugene Bourque (1893-1966) and Lola May Barnhart Bourque (1894-1982).
Fourth picture: My grandfather (left) and his brother Gene, who is living.

More stuff:


[Typewriter]



[Flying Machines]


[Winged Anchor Heart]


[Boat Saint]


[Branches]


[Face]