Watching Liz Phair music videos today reminded me of the time when I was a rock star ... from about sixth to ninth grade. Heh. Yeah, well, in sixth grade I learned about 5 chords on the guitar, and with those 5 chords I wrote about 32482409 songs. I haven't thought about them in a while, mostly because I had dismissed all of them as puke-inducingly cheezy. Well, I went looking for them today, and to my surprise, they're not THAT cheezy. I mean, they are. Cheesy? Cheezy. Cheesy or cheezy? Eh, they're both. That's what happens when you're 12 and try to write about the relationships that you have never had. Well, among all the cheese, I found a few pretty nice lyrics. No one song has completely perfect lyrics ... they're just little, kind-of-sweet jewels that you can pick out, maybe one or two per song. And I like them. Some of them are just sentences, like one from an eighth grade song that goes: "He wilted the rose and took the lead," and another, from the same song: "I saw the butterfly inside her tear." They're not incredibly insightful or genius or anything; they're just unique ... Moments where I transcended cliche and wrote something that had never been written before, something that was just me. Whether bad or good, that's all I can really expect of myself at the end of the day - then and now.
I like the opening lines from another song: "Look into my eyes / And tell me that you've never been surprised." Again, it's not brilliant or anything. I just like it. I don't know if anyone else would, especially not having heard the melody. Incidentally, my melodies were painfully restricted, and I knew it at the time. There's really only so many places you can go with 5 chords, particularly when you only know 3 well enough to play over and over again ... but the same 2 or 3 melodies I managed to make up weren't so bad. Especially when paired with not extraordinary, but nice enough lyrics like: "So give my regards to the handsome knight / who made a gift of his Incuban ring / And thank all the people who cheered for me / even though I couldn't sing."
Other lyrics ... well, this one just makes me laugh - keep in mind I was obsessed with the Beatles at the time: "You told me I'm the eggman / But you're an eggman too / Because it seems to me I was the only one / Who saw the walrus in you."
Some songs didn't really have good lyrics or a good melody, but I felt so passionate about them that they almost worked. I actually recorded a few of them onto an amateur kids' video-making device ... and although I can't find the recording of the song I'm thinking about, I can remember how I sang it, and how incredible it was to hear my voice belting out the words. I thought that if I could only ever work up the courage to perform in public, it would be the greatest feeling in the world. But I never really got there. Now, I'm not sure whether or not I regret that. It could have been great, but it also could have been disastrous and scarred me for life. Back in middle school it's pretty easy to get scarred for life ... it's hard to be ballsy. Also, I'm not even sure now whether the audience's reaction to me would have been positive or negative. It depends, I guess, whether I ruined the performance by being nervous. If I could control my nerves and sing the way I used to in my basement, the audience might appreciated such an earnest attempt from such a young performer. They might have liked me.
Back then I might have performed "Lightning Bugs," written in 2004, which was long and rambling. It has a few nice lines. The one I liked most to belt was "The Devil's not a liar." A nice couplet (is that the right word for it, or is that only used in poetry?): " ... Though I know you're a tumbleweed / You have no roots, and the wind sets you free."
Or maybe I would have performed "Dismembered" ... if only to sing one of my favorite verses, which went: "While Greenland was being found / I planted ice chips in the ground / But it wouldn't rain / and the Devil's to blame / Like Castor and Pollux, we are one and the same / Just waiting till we're purged of all our sins / We see the Pearly Gates, but we can't get in." I really liked putting Christian and Greek mythology, Beatles references, and Latin (!) into my songs. Mostly Christian stuff, anyway. Where did I get all that baggage? I was raised Quaker!
Sometimes I wish I could go back and time and meet the kid who was writing these songs ... pictured at the top, age 12 ... and see what the hell her deal was. Seriously.
Right now, though, I just wish I could find the recording I made of "The Forbidden Fruit," which I wrote in 2004. Today, it's probably my favorite of all the songs I wrote, and the one closest to being an actual, decent song. The chorus went, "I would like to have wings too / And fly away just like the others do." My choruses (if I had any) tended to be two lines, like another one that went: "I'm just bones and flesh and blood / I'd tell you if I could," and then repeats, "I'd tell you ... if I could."
Hell, why don't I just post the whole thing here for you. If you don't like it, remember that I was only fourteen when I wrote it. Also, you haven't heard it with the melody. Also ... fourteen.
***
I would like to have wings too
And fly away just like you do
And I'm sorry
This just isn't my territory
That's a whole other story
For another day, though I'd like to stay
Someday I will have wings too
And fly away just like the others do
I'll mar the sun with my silhouette
I'll play knucklebones with the stars
And when the good red fires smite me
Down, down, down
I'll thank them for the strings of my guitar
Someday I will fall in love
Steal a ride on the wings of a mourning dove
I could die today, or live forever
I bet heaven's not all it's cracked up to be
Perhaps I'll hitch a ride with Odysseus
And let the waters of the Styx consume me
Just like Icarus
His soul's dilute
Sing in me, Muse
The forbidden fruit
Above me are the branches
Below me is the sea
The water's cool, the branches laced with peaches
But both of them pull away from me
But I would like to have wings too
And fly away just like the others do
The sky is dusted full with dying embers
The moon slips back behind the hills
And when Atropus cuts my only life line
Look for me beside the windowsill.

































